Thursday, June 30, 2011

YouTube May Take Another Stab at Pay-TV Competition

From The Online Reporter   
With 3,000 movie rental titles under its belt thanks to deals with three Hollywood studios coupled with its ever-increasing, ad-supported, user generated content, pay-TV is beginning to take a little notice of YouTube.
Unfortunately for Google, the pay-TV competitors have been vocal about YouTube’s lack of content. 

This is likely what led to Variety reporting that Google is looking to spend around $100 million on movie rights and possibly on financing new productions. The rumor also builds upon YouTube’s April purchase of Next New Networks

“In the future, we hope you come to YouTube and there’s a large selection of very interesting channels for you to hopefully like and want to come back to,” Tom Pickett, YouTube’s director of global operations, told the news agency. “We don’t expect you will have to look at 500 channels, but 10 or 15 that are places you want to spend some time at over and over again.” 

The format seems to be a popular one, with Pickett’s conjuring up a concept that seems very similar to what Microsoft plans for its Xbox TV. 

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Best Buy Launching New Cloud Music Offering

 
- Oddly There’s No Napster in Sight 

And the latest name in cloud music plans is not an unfamiliar sight, but the Best BuyNapster. Music Cloud does seem to oddly lack any connection to its existing digital music service.

The Best Buy service looks to be part of an offering developed by Catch Media, a London-based firm that has already launched a cloud music service for Best Buy in the UK. The service has crossed the sea and is now hitting US shores to fight Apple, et al., with a service similar to the iCloud and Amazon’s Cloud Drive. 

According to Catch Media, the full US launch will happen this summer which, as of this week, could be any day now. It is said to have the full support of the major labels.
In the UK, Best Buy’s “My Music Anywhere” service just expanded its reach to Android devices, and was already available on iOS and BlackBerry devices. Oddly enough, its apps — including the new Android app named “Music Cloud” — are available for download to US consumers and can even be run with minimal effort and tweaking. These apps have content from all four major labels and a few independents, so it is likely that the US version is fully stocked. 

“This is the only scan-and-match, cloud-streaming platform compatible across so many devices and all major mobile operating systems supported by the music industry,” Catch said in a statement. The service is available in the UK at both Best Buy UK and Carphone Warehouse, which is owned by Best Buy. 

Yaacov Ben-Yaacov, CEO of Catch Media, said “With 400,000 new Android devices activated everyday, increasing ‘My Music Anywhere’ compatibility to all Android phones and tablets opens up the service to thousands of new users as well as allows established customers to access their music on even more of their devices. We look forward to launching a similar service across the US over summer.” 

A Catch spokesperson was very eager to confirm that the service had all the right licensing in place for its US launch. While refusing to give any solid details, the spokesperson did say that the majors were on board and their big content will be available on day one. 

The Votes Are In
 
Reviews of the service as it hit the US came through pretty quickly — well a few reviews and mostly a major panning of the service. 

Right off the bat it turned consumers away since the free version only allows users to listen to the first 30 seconds of their songs. Paying $4 per month gives the user full access to all the songs and playlists they upload.
The big thing to take away from a quick trial of the software is that it doesn’t feel finished. It really makes you wish Napster were more involved. 

For now, the best thing to do would be to skip the service. If Best Buy turns it around, it may be worth going back to, but for now it’s among the worst entrants into the cloud-music space. 

Napster Taking a Dirt Nap?
 
Napster hasn’t been included in any of the rollout plans or leaks and no one seems to be able to explain why. Best Buy was mum on the issue. 

Back in September 2008 Best Buy bought Napster for $121 million but has never seemingly done as much as it could with the service that came with a user-based and massive name recognition. 

Napster was already as much of a cloud music service as could be imagined, and its offering isn’t that far from matching iCloud with only a few tweaks, typically around syncing. 

Best Buy hasn’t done much to promote Napster, so it’s not too big of a surprise, though it is something of a disappointment that the service isn’t getting folded into the Music Cloud. 

Perhaps there’s more to come in the final announcements. 

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Friday, June 24, 2011

TVShack Owner May Face Extradition to US

 
Student Richard O’Dwyer may face jail for copyright infringement as the owner and operator of the Web site TVShack, which gave links to other sites that offered pirated downloads of TV shows and films. 

Now O’Dwyer may face extradition to the US, which will likely end in a significant amount of jail time. O’Dwyer’s mother has been making the rounds to express her fear and anguish over her son’s possible jail sentence.
O’Dwyer was arrested at the end of last month at the request of the US Immigrations and Customs Enforcement department (ICE). 

O’Dwyer ran the Web site until last year when he was first visited by police and US officials. He recently appeared before magistrates for a preliminary hearing into the extradition that’s fighting. 

O’Dwyer may make it to the US under a 2003 agreement with the UK that has become heavily criticized because it contains no provision for a “forum,” which in legalese is a process that would allow a UK judge to determine if the case would be best heard in the UK or abroad.
“The (computer) server was not based in the US at all,” O’Dwyer’s barrister, Ben Cooper, said at the hearing at Westminster magistrate’s court. “Mr O’Dwyer did not have copyrighted material on his Web site; he simply provided a link. The essential contention is that the correct forum for this trial is in fact here in Britain, where he was at all times.” 

The push for extradition likely comes from worries that there may be no case in the UK. Since the site did not host content and simply linked to other sites and served as a bit of a ferry between content and consumers there is a chance that the actions don’t constitute an offense in the UK. 

A fraud and copyright case against a similar service, TV-Links, was dismissed last year as the judge determined that linking to content alone was not illegal.
“If it’s an offense under UK law, then it has to be prosecuted and tested under UK law,” James Firth of the Open Digital Policy Organization think-tank told the Guardian. “If there is no offence under UK law, then there is no ‘victim’ to copyright infringement and no case for extradition.” 

If the countries can remove O’Dwyer without addressing this concern it may send more of a message against such services than finding a way to slap him on the wrist under existing law. 

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Vizio Tablet Looks Good — on Paper — But Will It Sell?

 
All the predictions about rival tablets overtaking Apple’s iPad have been wrong, so we won’t make another one about the Vizio tablet, although the product sounds appealing. Few thought Vizio TVs would succeed to the extent they have — the number one brand of LCD TV in the States and all of North America. 

Vizio now has its sights set on taking the tablet market.
Vizio says its upcoming Vizio Tablet will be the first in the Vizio Internet Apps Plus (VIA Plus) ecosystem. The Vizio user interface will be standardized on all devices, and the apps it develops will work on every appropriate Internet-connected Vizio device, including HDTVs, Blu-ray players, tablets and smartphones. Shades of Apple!
It said its Vizio VTAB1008 8-inch tablet with Wi-Fi will be available at retail this summer. It’s based on Android so it will have at launch the ability to access more than 400,000 apps in the Android Market. 

Other Vizio VIA Plus products that will support the apps are the XVT 6 series 47-inch and 55-inch 3D HDTVs, plus its Blu-ray players and the Vizio smartphone when it launches. 

Vizio VIA Plus HDTVs and Blu-ray players will come with a Bluetooth touchpad universal remote with keyboard for full Web browsing and search. They’ll have 802.11n Wi-Fi. The Vizio tablet has an IR blaster so it can be used as a remote for up to 95% of the remote-controllable CE devices in the U.S. 

CTO Matthew McRae said Vizio is “bringing a new level of cohesiveness to the HD entertainment experience, beyond what conventional CE devices have been able to deliver in the past.” The company, he said, thinks “it’s important that the next generation of CE devices offer a seamless user experience across all screens, from the living room to their handhelds.” 

It’s got all the functions it needs except 3G. The Vizio tablet is fully equipped: a 1 GHz processor, an 8-inch 1024x768 capacitive touchscreen, front-facing camera, GPS and both 802.11n Wi-Fi and Bluetooth. It said the battery lasts up to 10 hours depending on usage. Its 2GB of onboard storage can extended with a microSD card, up to a maximum of 32GB. HD video playback to a TV set can be done through its micro HDMI output. 

It has a three-speaker design for stereo audio. Vizio’s SRS TruMedia technology is said to optimize “the audio experience.” 

Other than the drawbacks of Android, Vizio’s tablet has all the hardware features except perhaps for the smaller screen. The key to the success of the Vizio tablet will be distribution and pricing. It has a strong distribution network for its TV sets, anchored by Walmart, although Best Buy does not sell its products, so far at least. Vizio did not announce the tablet’s prices — or suggested pricing. 

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HomePlug Alliance Endorses P1905

 
The HomePlug Powerline Alliance, as expected, said this week it supports the IEEE P1905 working group’s efforts “to define the first standard for hybrid home networks.” P1905 adds a software layer to seamlessly blend Wi-Fi, MoCA, HomePlug and Ethernet communications capabilities. 

Home networking devices with P1905 capability could use the best available network, looking for Wi-Fi signals in the air, HomePlug signals when it’s plugged into the powerline, MoCA signals if connected to the coax outlet or wireline Ethernet. Pay-TV set top boxes, home gateways, Blu-Ray players and televisions are expected, we hope, to start coming with P1905 embedded. 

IEEE P1905 allows applications and upper-layer network protocols to be agnostic to the underlying home networking technologies. Packets can arrive and be transmitted over any technology according to quality of service (QoS) priorities. It will also make it easier for network setup in the home with a one-time login per device for all available networking schemes. 

There’s a lot of oomph behind P1905. Helping to develop it are two major chipmakers, Qualcomm Atheros and Broadcom, plus Cisco, France Telecom, Ralink, Sigma Designs, SPiDCOM Technologies and STMicroelectronics. Sigma Designs makes chips for HomePlug and HomePNA and is supporting the development of the rival scheme HomeGrid (G.hn), which includes powerline, coax and phone wires but not Wi-Fi. 

Wi-Fi adds a powerful attractant to wireline network schemes because most homes have a Wi-Fi network and smart TVs, Blu-ray players and smart-TV adapter boxes like the Apple TV now come with Wi-Fi as standard.
In April, the group approved the technical requirements, architecture and definitions upon which the standard will be based. 

“The hybrid home network is clearly the network of the future — offering the best networking technology to meet the consumer’s needs – so IEEE establishing this standard is significant,” said Rob Ranck, president of the HomePlug Powerline Alliance. 

Ranck said that with P1905, service providers will be able to reduce their installation and support costs.
HomePlug is the leader in installations of powerline communications. 

The P1905.1 effort does not include support for G.hn (HomeGrid) or HomePNA, but there has been talk by G.hn supporters of developing a compatible P1905.
P1905, or whatever marketing name is conjured up for it, will be a powerful and “industry-wide” brand. Boxes with P1905-compliant products will clearly be labeled “P1905 compatible” just as Wi-Fi devices are now. Consumers who have figured out the differences in the various Wi-Fi versions are savvy enough to know they want the “n” version of Wi-Fi in the gear they buy. The same is likely to happen with P1905, putting more pressure on equipment makers and service providers to select P1905 devices. 

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Xbox Adds Interactive In-Game, In-Video Advertising

 
Microsoft Xbox users with a Kinect will soon be able to use motion and voice commands to interact directly with advertisements that appear while they are playing their favorite games or watching videos on the service.
 
Microsoft has announced a new advertising tool called NUads (natural user-interface ads) that lets users interact with advertising on the console dashboard, embedded into video games and other video content on the platform. The ads use the voice and motion control developed for the Kinect add-on that was released at the end of 2010.
“When you have highly interactive people and a passive medium, they are interacting with their phone or their laptop while watching TV,” Mark Kroese, general manager advertising at Microsoft, told the New York Times. Kroese told the paper that the ads aim to “create a natural way for the user to engage with the TV.”
“The new ad units really epitomized the level of engagement that everyone is working towards,” John M. Lisko, the executive communications director of Saatchi & Saatchi Los Angeles, told the paper. 

Among the new features are direct integration of texting, tweeting and answering questions, polls or even voting. Commands are pretty direct with things like the user telling the machine “Xbox Tweet” to share a scripted Twitter message via an attached account. If a user comes across an advertisement that features extended content they wish to view, the gamer just needs to say “Xbox More” and they will be directed to the content or it will be e-mailed to them, depending on the content, campaign and user preferences. 

Perhaps the biggest feature will come into play as the Xbox shows commercials for TV shows and films. Users can say “Xbox Near Me” to find retailers and movie theaters for the content they’re being shown. If the user says “Xbox Schedule” for a TV show that’s being advertised, they will receive a text message to remind them when the show is about to come on. 

The goal for Microsoft is very similar to what Yahoo has proposed with its Broadcaster Interactive technology: make the new features simple and intuitive enough that users will natively engage with them and so they can be overlayed upon existing commercials. Perhaps the best news of all for advertisers is that there’s no need to touch any commercial, just determine a point in a commercial for a prompt and set that up through the Xbox platform instead of through the ad itself.

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An Apple TV Set, the Rumor That Wouldn’t Die



Piper Jaffray’s Gene Munster has kicked the dust off an old rumor and said loudly that an iOS TV set will be the successor to the current Apple TV, and that it’ll land in 2012. 

Munster has been one of the biggest proponents of an Apple TV set and has been writing about the possibility for a bit over two years. In a note to clients issued Thursday morning, he laid out a new roadmap for the set and put the puzzle pieces together. 

 - iCloud. “At first the only media iCloud will store is music and pictures, but we believe Apple may add movies and TV shows purchased or rented in iTunes to the iCloud service, which could be viewed on a TV.” 

 -The App Store. “Apple has sold over 200 [million] iOS devices, has over 225 [million] iTunes accounts with credit cards, and developers have built over 425 [thousand] apps for the App Store in less than three years, including 90 [thousand] apps made specifically for the iPad in just 14 months as iPad unit sales reached over 25 [million]. In other words, Apple’s strong iOS developer community would likely jump at the chance to build apps for an Apple Television, and Apple’s iOS users would likely jump at the chance to buy one.”
 - Big screens. “Recent developments in Apple’s strategy, including the component deal we believe could secure up to 50” LCD displays, bolsters our confidence that the company remains serious about the connected living room.”
 - Patents. “As recently as May, 2011 the US Patent & Trademark Office has published Apple patents relating to television-specific technology. In a patent published in January, 2011, Apple explores advanced TV broadcast menus that could be used in ‘a display with built-in functionality (eg, a television).’” There are also rumors of a 3D patent that projects a 3D image on a wall and adjusts it to a user’s eyes by tracking them with two cameras. 

Future projections say Apple could sell millions of TV sets in its first quarter and that the cost will start around $2000.

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Friday, June 17, 2011

DIGIGRAMS

Apple could be paying as much as $1.3 billion each year for the iTunes Store according to analysis from mobile industry analysts Asymco. The figures put Apple at breaking even, which Apple has said it does previously. Asymco considered Apple’s sales for songs, videos, apps and books as well as its estimated payments to developers and rights holders. “Much of that cost does go into serving the content (traffic and payment processing). Some of it goes to curation and support. But it’s very likely that there is much left over to be invested in capacity increases,” wrote Asymco. “I would like to hear alternative opinions, but my guess is that much of the capex that went into the new data centers Apple built came from the iTunes operating margin.”
Bands have been using Twitter to promote and share new songs, with big names like Dave Matthews Band giving away tracks almost from the day links first began being shared. The latest take on this concept comes from The Kooks, on the EMI label, whose song “The Saboteur” is playable on a dedicated Web site. The catch is that the amount of the song that’s playable depends on how many fans are tweeting the hashtag #junkoftheheart. The site even has a “Tweet-o-meter” that shows the level of activity for the track. “The more you tweet, the more of the track will unlock, but be careful because if the tweets dry up the track will start to lock again,” reads the site.
Walmart wants its brick-and-mortar customers to start looking into its streaming movie service Vudu, and the latest attempt to facilitate this transition comes in the form of a “digital movie card.” These look sort of like gift cards and are now found hanging around checkout aisles and entertainment sections of Walmart stores. The first film being distributed is “Battle: Los Angeles” which costs $14.96 for the card and, when redeemed, provides users with a standard definition copy of the film on any Vudu-enabled device. The service is an interesting reach into consumer’s homes, but a standard definition stream might not be enticing when the DVD is $16.96. Walmart is seeing if consumers prefer a digital copy for Vudu devices over a DVD that has a bit more mobility. It wouldn’t be surprising if the next movie trial comes with an HD copy instead of an SD copy.
Subscription music download service eMusic has reported no growth in subscribers over the last four years, according to its CEO Adam Klein. In an interview with Digital Music News, Klein said that the company does not predict any future growth and has previously not expected to see any growth in its service. Klein said that the average revenue per user is up 22% from six months ago, however, due largely in part to major labels joining the service as well as increases in its prices and an improved user interface. Digital Music News pegs eMusic’s current subscriber number at 400,000, which matches a variety of reports over the past few years.
Look around the Web and you’ll find coupons galore touting Father’s Day deals on the latest gadgets. One reason they seem to be just about everywhere is because CE spending for the holiday is expected to rise 13% compared to last year and see an average person spending $67.20 on Dad, reaching $1.3 billion in sales according to a survey from the National Retail Federation and BIGresearch. When looking at some major US chains, discounts apply to everything from smart TVs and grills to tablets (the Xoom and the iPad 2) and smartphones.
While Carbonite is among the kings of cloud backup, the most long-term backup solution requires a bit more sun. The Internet Archive project has announced a plan to store on physical copy of every published book in the world, including all those eBooks floating around. “Internet Archive is building a physical archive for the long-term preservation of one copy of every book, record and movie we are able to attract or acquire,” the company said. The two big reasons for making physical copies are so that there is an original to compare future versions to if there is a fidelity dispute, and that there are a lot of issues concerning digital storage for the long run. Beyond hackers and system failures, there are also unforeseen changes in the cloud that could occur, such as new filetypes, formats and hardware incompatibilities.
Need something to compliment that in-flight Wi-Fi? How about an in-flight tablet? Samsung and American Airlines (AA) have partnered to give select flights access to the Samsung Galaxy Tab 10.1. AA will equip 6,000 of its planes’ premium cabins with the tablets, replacing existing personal entertainment devices. Tablets will be available on flights between Boston and Los Angeles, Miami and Los Angeles, New York’s JFK and Los Angeles, and JFK and San Francisco.
Microsoft has been tightlipped on its plans for updating its Windows Phone platform, but the schedule for its major updates seems to have been leaked in a job posting. The job’s specifications outline a platform policy of one major update per year with an unspecified number of minor updates throughout the year. The position, entitled Program Manager, will be responsible for these minor updates.
After Apple requested to see Samsung’s announced smartphones and tablets as part of a copyright infringement lawsuit was granted by a judge, Samsung quickly attempted to turn the tables by requesting to see the unannounced iPhone 4S, iPhone 5 and iPad 3. Apple has responded to Samsung’s request by saying that it “is not a good faith attempt to obtain information needed to defend against a preliminary injunction,” the documents say. “Rather, it is a transparent and improper attempt to harass Apple by demanding extremely sensitive trade secrets that have no relevance to Apple’s infringement claims or to Samsung’s defenses to a preliminary injunction.” A judge will make a decision on Samsung’s request this Friday. 

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iPAD & THE MANY OTHER TABLETS

 It’s not a game, but the iPad app of TS Eliot’s poem “The Waste Land” is the best implementation of print, video and audio we’ve ever seen. It defines what “multi-media” should be.

The app has the five-sections of the poem in very readable text and a reproduction of the original draft showing Ezra Pound’s edits in 1922. A complete set of notes, including some of Eliot’s, help explain the poem’s more obscure passages for those who are interested.

There are recordings of six different people reading the poem including two that Eliot did, one by Viggo Mortensen, the “Lord of the Rings” star and one by the Obi-Wan Kenoba Alec Guinness.

The video of Irish actress Fiona Carter speaking the entire poem in front of a burning fireplace in a Georgian home in Dublin is alone worth the $14 the app costs. Her performance is remarkable, inspiring even, in part because it’s such a verbal poem but mainly due to her animated performance. She does the foreign languages too.

It has an image gallery and interviews with more than 30 people.

The London-based publisher Faber & Faber where Eliot worked, the BBC and Touch Press produced the app. Perhaps the two will do other Eliot pieces in the near future.

As Eliot’s J Alfred Prufrock might have said:
“Let us go then, you and I,
To the Apple store and buy.”
What better use for all this technology is there?
Toshiba’s 10.1-inch, Wi-Fi-only Thrive tablet has reached the pre-order shelves of Amazon.com, Office Depot’s Web site and Toshiba’s digital storefront. 

The tablet runs for $430, $480 and $580 for the 8GB, 16GB and 32GB models, respectively. The devices run Android 3.1, have two cameras and feature a wider variety of ports than most tablets on the market.

The Thrive differentiates itself somewhat by including a Log Me In app that allows people to connect to home PCs from the tablet as well as a file manager that allows users to search through USBs and SD cards attached to the device.

The crowded market is bulging at the seams and there’s still no official launch date set for the Thrive. 

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Motorola Shows Cablecos an Alternative to OTT

 From The Online Reporter  

 - Medios Experience Platform Launches at The Cable Show 
 
 - Makes Tablets & Smartphones TV Viewing Companions, Remote Control & Viewing Device
 - Adds Social Networking, Better Content Search and Improved VoD 

How are you going to keep them on their pay-TV service once they’ve seen online videos?You can say what you want about cord-cutting but every hour a person spends watching Netflix, LoveFilm or iTunes is one less hour spent watching pay-TV and its many commercials.

Just in time for The Cable Show, STB maker Motorola Mobility has launched its previously announced multiscreen, multi-device and cloud-based Medios Xperience platform. It says it will help cablecos keep subscribers and increase the amount of time and money they spend with them each month.

It allows providers to merge their video content with social networking, games and Web-based content and provides greater interaction capabilities with broadcast television and VOD services.

Recent focus groups that Motorola held showed consumers want:
 - To easily find and better organize content, such as TV shows and movies
 - Greater flexibility for when, how and where TV is consumed, such as the ability to stream live shows to any device in the home, including mobile devices
 - Improved access to supplementary content so that viewers can quickly access news and gossip about their favorite shows and actors
 - Simultaneously engage with additional content and social networking sites while they watch TV
“Consumers want to be able to personalize their TV-watching experience and want the greatest flexibility in where and when they watch content,” said John Burke, senior VP and general manager for the company’s converged experiences. “Consumers expressed strong interest in being able to bookmark TV shows and movies and have improved VoD searching to make it easier to find a particular program.”

With the Motorola Medios Xperience platform, service providers can immediately deploy:
 - TV and VOD remote: This lets a subscriber use a tablet, smartphone or laptop as a remote to browse the program guide, choose a VOD or linear title, and launch it on their device or any TV in the home. It will be part of a service provider’s branded site.
 - TV and VOD streaming to other devices: This adds other screens in the home to consume premium content along with social networking to further enhance the TV-watching experience.
 - Enhanced user interface: This improves search, navigation and discovery of content such as movies and TV shows. It has personalized recommendations, streamlined decision-making scenarios and a watch-queue. It will help pay-TV services compete against online video services and increase their average revenue per user (ARPU), Motorola said.

A Medios Xperience software development kit allows the cablecos to offer customized user experiences and application combinations. Several core apps are built-in that can be deployed immediately.

The Medios Xperience platform has “clean separation” between applications, control and content transport layers so that cablecos can quickly develop and deploy new experiences to mobile and home devices either inside the home or, working with content owners, outside the home. 

Motorola also can host the platform for the cablecos. 

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Chromebooks Available June 15


Chrome OS notebooks aren’t going to cost any less than Windows notebooks, so there’s no price advantage. 

Chromebook laptops made by Acer and Samsung can be ordered from Amazon.com or Best Buy. Prices start at $380 and top off at $500. Shipments start June 15. 

Google says they are not typical notebooks.

Their reported advantages over Windows PC include: the absence of malware, corporate control of apps and security, 8-second boot-up and Web-only apps and data. There is no hard drive and no local data storage.

They use less power than Windows laptops, so a single battery charge is expected to last all day.

All models have Wi-Fi and wired Ethernet; some have 3G.

Google will lease for three years a Chromebook to students for $20 a month, perhaps wanting to win over the next generation of computer users and the university marketplace. It’s $28 a month for three years to business users, which seems like a more ideal market for Chromebooks because of the reduced malware and corporate control of apps and security. 

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Cable TV Companies Take Aim at Netflix, Other Online Video Services

 - Cablecos Take on OTT with OTT 

There’s too much at stake not to overcome the natural tension between the cable-TV companies and content owners over prices and rights for delivering content over the Internet to devices like tablets and smart TVs, according to participants in The Cable Show’s initial general session. Liz Claman, Fox Business News reporter, moderated the panel of Time Warner CEO Jeff Bewekes, Time Warner Cable CEO Glenn Britt, DirecTV CEO Chase Carey, Cox CEO Pat Esser, Viacom CEO Phillip Dauman and Comcast president Neil Smit.

Claman pointed out that’s there’s more content for people to watch than ever, but much of it is not from the cablecos: it’s mainly delivered over the Net through companies like Netflix. “How did you let that happen?” Claman asked. “How are you going to get them back?” Napster used the Internet (and free but pirated music), and that destroyed the music industry, she pointed out.

In a different session, the financial analyst said the cablecos must me missing something in their offerings as evidenced by the meteoric rise in Netflix subscriptions.
The panelists’ responses were, in general, to smother consumers with their offerings of Internet-delivered content.

Responses included:
 - Comcast’s Smit suggested personalizing recommendations.
 - No one knows exactly where this is going, Britt said, but the cablecos have to offer what subscribers want.
 - We created this chaos with broadband, said Esser, and we have to give consumers choices.
 - Television is the foundation, according to Dauman, and cablecos need social networking. Content providers and the distributors have grown the pie.
 - Apple has shown the way with a great and intuitive experience, Chase said. Content rights are our backbone, he said, and a wild west can’t be allowed.
 - This is not the music industry, Bewkes said, and programs like TV Everywhere are important. The Internet is a new morning in the pay-TV industry, and the operators will offer the “best stuff” on OTT. The industry needs a better user interface for on-demand, he said.
Claman asked about tablets.
 - Smit said consumer demands have to be met everywhere and on every device. Content owners want to get paid, he said, so the operators had worked with Nielsen to get ratings for catch-up TV.
 - Consumers will pay for quality, Chase said.
 - Consumers are sending a loud, clear message, Esser said. They want video-on-demand and catch-up TV, he said, pointing out the success of Cox’ recent catch-up TV launch. We’re doing lots of things right, he said, but have to do some things differently.
 - We can’t fall asleep, Britt said, and we must embrace all the screens consumers have.
 - Dauman said Netflix uses massive amounts of the cablecos’ broadband. It’s also developing its own content, he said, but that’s not Netflix’ fundamental business. Viacom, which owns Paramount Studios and a number of pay-TV channels like MTV, has a large library of content on Netflix as a part of its windowing strategy for maximizing revenue. It’s not easy to produce content, he said. - There are no massive changes in the content industry, he said, pointing out that the same studios existed 75 years ago. You also have to satisfy where they want to watch.

Claman said Showtime recently pulled some content off of Netflix when Netflix announced it was creating some content.
 - Bewkes said his company’s HBO can be accessed through on-demand networks and is now available over the Net to PCs and tablets. These services are only to their paying subscribers. So are Showtime, Starz and Epic. Netflix is Internet only but has a great user interface that makes it easy to find older content. The cablecos will put everything on-demand and on every device along with a great user interface, he said.
 - Dauman said the industry has to give consumers what they want and overcome the technology and monetization obstacles.
 - Claman asked if the trivial amount of cord-cutting taking place might turn into a torrent. She recalled reporting that 1.5% of mortgages were late on payment in 2007 and being told not to worry because that meant 98.5% of mortgages were solid. We know how that turned out.
 - Smit said Comcast has seen no cord-cutting, saying, “It’s almost not measurable.”
 - Esser said it’s the economy that’s caused the slowdown in adding subscribers. The costs of pay-TV have increased, he said, but consumers’ incomes have not, pointing out that the cost of acquiring content has increased.
 - Dauman said the industry has suffered through the worst recession in memory but had shown that the last thing people cut was the pay-TV cord. (Most of the studies we’ve seen, however, show that broadband is the last thing to get cut.) Any decline was minor, he said, and only lasted a few quarters.
 - Britt said there are fewer new households and more empty homes than ever. The decline in subscribers is moderating a bit, he said. What’s alarming is the increase in the size of the “underclass” that can’t afford pricey pay-TV. He urged the development of smaller, less costly packages to offer them.
 - Claman said the industry is also losing eyeballs, as we have been saying, as shown by ESPN having 2 million downloads of its app. People are watching lots of content on tablets, she said, and asked, “What happens next?”
 - Smit said 50% of consumers are using their tablet as a tool such as remote, not for viewing premium content. Only 25% use a tablet to view content, he said.
 - Bewekes, who evangelized the TV-Everywhere model, said the industry has to put TV on Internet-connected devices without increasing subscribers’ monthly fees. It’s our industry that made all this possible, he said. Internet delivery will have to be restructured to offer quality content. We don’t offer 3D on screens in the home in an appealing way.
 - Dauman said people are changing what they do while they watch TV. One of Viacom’s shows has 1.5 million Twitter followers, he said, and another has 2.5 million Facebook likes. More original programming and interactivity has to be provided, he said, because the viewing experience is changing.
 - Claman asked what the industry must avoid in order not to have to later ask, “We didn’t see it coming?”
 - Smit said it’s software engineering.
 - Esser said he is giving the company’s employees permission to disrupt the business model. Cox hires students as interns and asks what they do and don’t like and watch to see what the next generation wants.
 - Dauman said it’s creativity and understanding the technology.
 - It’s content, Chase said. The industry needs more content. 
In summary, the industry appears set to embrace OTT in every way imaginable. A good test is to see how long before it offers Netflix on its STBs; that is unless companies think they can overcome Netflix by creating a duplicate OTT service with more content and a better user interface. It’s what they’re saying they’ll do but without saying they’ll take on Netflix head-to-head. 

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Friday, June 10, 2011

Apple's iOS Upgrade Will Bring Smiles to the Chattering Set


Apple’s iOS operating system is a mature, and very successful OS on portable devices, so the iOS 5 upgrade that Apple announced this week is more evolution than revolution. 


It has two significant features for the chattering set. The first is that Twitter is integrated; the second is that iOS has its own instant messaging setup, which works on all iOS devices.

iMessages, of course it’s named that, can include photos, videos and locations and be sent to other Apple devices for free. It most closely resembles RIM’s BlackBerry Messenger app.

There’s a location-based reminder service that can pop up a message when the user leaves a locale, like leaving the office to remind them to stop at the laundry.

Baby boomers, Gen Yers and Millennials without PCs will be happy to find that a PC is no longer needed to upgrade. It can all be done over a 3G network.

Newsstand, an iBooks-like store for newspapers and magazines, is new. It has automatic, background and instant downloading of the newest edition.

Mail gets rich text, automatic indentations, flags and full-text search. A dictionary is now integrated.

Also new is Reader and Reading List, which automatically reformats Web pages for better mobile viewing and for collecting them for later use.

Safari now has tabs, which means you don’t have to select a separate screen to see the pages that are already open.

Reminders let users create notes and lists to schedule them at a given date a time or when they reach or leave a particular location.

Apple iOS is competing against a new version of Android, Google’s Web-based Chrome, RIM’s QNX, HP’s WebOS and, in smartphones, Microsoft’s Windows Phone 7. A key differentiator has become the OS’ ecosystem, everything from accessories to apps to compatibility with other mobile devices. Apple has the lead now; even its Apple TV is mostly in the family except for apps. But the competitors know what they have to do.

 

Apple’s Ears in the Cloud

Before Apple wrapped up its presentation, Jobs wanted to make sure the audience knew the cloud is the key to the future with the launch of an iTunes in the cloud called iCloud.

The iCloud service will now show the complete purchase history for all devices linked to an Apple account. Any track or album purchased can be downloaded to any 10 partner devices at no additional charge. Users get 5GB of storage for free storage, but apps, music and books purchased via iTunes don’t count against it.

Jobs said of the service, "We want all users to take advantage of these and we know that if we make them free, they will."

The service also comes with iTunes Match which will scan a user’s library and give them instant cloud access to the songs it recognizes and uploads songs to the cloud that aren’t in its library, all for the cost of $25 per year. Those signing up for the service can store up to 20,000 songs, which Jobs pointed out would cost roughly $200 if using Amazon’s cloud service instead.

One note that’s either good or bad depending on the user is that, unlike Amazon’s service, iTunes Match requires the user to download songs and doesn’t support streaming. It isn’t the best solution for mobiles but it could be better for users with a limited data plans for iPhones or iPads since they could load all that content on their device on a Wi-Fi network and then have it accessible anytime without the need to have a strong 3G connection.

Missing were TV shows and movies. These can’t be backed up over-the-air and aren’t made available as downloads through the iCloud backup service. The absence of this content shows that there is still a tough road to travel with studios. Users can already move videos to their iOS devices when connected to a PC, but not making them easier to move around makes the service feel like it isn’t complete.



Preview of What’s to Come

Apple has released a new version of iTunes that ties into the announced iCloud Web services. The new beta version of iTunes 10.3 provides access to just a few of the iCloud services but it is worth downloading if you’re a multi-iOS-device user.

With iTunes 10.3, all iTunes you have previously purchased from the iTunes store can be automatically downloaded to Macs and iOS devices. On iOS devices, opening up the iTunes app shows a new section called "Purchased" that lets a user sort by song or album purchased and then users can download whichever they click.

It was a great service and seemed to support iTunes purchases from around a year ago on. There were a few issues we ran into when testing out iTunes:

- Older content purchases are not able to be backed up if the content purchased is no longer for sale on iTunes.

- There’s no quick way to download all of the content missing on a device, users must click on each piece of content individually to download it.

- When viewing items as albums instead of songs, things like compilations and soundtracks are listed out by artist and users must click the download button near each artist to download the whole soundtrack.

- Multiple times during downloads across all iOS devices tried, the message "Your account is temporarily unavailable. Please try again," would pop up and not allow any more downloads to be added to the queue.

lso included in iTunes 10.3 is the ability to add book purchases to the iTunes store, letting users download books from iBooks across all iOS devices.

The service is a good start and will be a boon for existing iOS device users, but it isn’t necessarily a good reason for users to switch to Apple products if they’re already happy with another mobile OS or device.

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